Bio-Engineered Research Ventures has made a monumental discovery in the world of transplantation. In developing their Eternal Life Tech they have found a way to transplant a person’s mind into an entirely different body. In order to further experimentation the board is looking to merge with another company, Intragenetica.
Against this decision is Bio-Engineered’s CEO, Bridget Pellegrini(Erika Hoveland). She recognizes Intragenetica’s shady intentions and doesn’t want her company’s research being used to “play God”. It’s this decision, however, that puts her, her husband Mark(Billy Wirth), and her daughter Miranda(Angelina Danielle Cama) in immediate danger.
A fellow high-ranking employee, Oliver(Richard Tyson), is willing to do anything to make sure Bridget sees things his way. This includes blackmailing, kidnapping, and even murder. It’s then that homeless war veteran Corey(Damien Chinappi) steps in to help the Pellegrini’s. Corey will do anything to stop Oliver from putting Eternal Life Tech into dangerous hands.
Directed by Harley Wallen, Eternal Code is an action thriller similar in tone to films like Die Hard and Taken. Following in the footsteps of these classics you have all the elements of a great action movie in a world destroying dilemma, a family in peril, a diabolical villain, and a hardened badass hero. Eternal Code takes a while to get going with the first half hour being a little slow. Soon enough the film picks up and brings plenty of high stake scenes that are action packed and full of dramatic tension. The Pellegrini family(Erika Hoveland, Billy Wirth, and Angelina Danielle Cama) does an effective job in making you feel the danger they are in and Richard Tyson turns in an amazing performance as the slimy main antagonist, Oliver.
The first 30 minutes of Eternal Code is where the film falters somewhat. The “science gone wrong” plot gets explained well enough, but our main protagonist Chris’s(Damien Chinappi) character development felt a little lackluster. He forms a bond with the daughter of the Pellegrini’s by her giving him money and baked goods because of his homelessness. These scenarios felt somewhat forced and unrealistic, even for a film about mind transplantation. Confusion over Chris’s character development continues near the end of the film where he seems to jump from a hardened personality to caring at the drop of a hat, with very little blending in between.
Overall, Eternal Code is an entertaining take on the kick ass action films of the past. The sci-fi plot line is fun and engaging, while the main villain is dangerously menacing. The hero’s motives and his relationships with others are confusing at times, but that doesn’t distract much from the film. Eternal Code is highly recommended for anyone who enjoys good action movies with high stakes and tense, thrilling moments.
This is the 3rd and final set of short horror films review form A SLICE OF FRIGHT Film Festival 2019.
Sick with a mysterious illness a girl(Claudia Trujillo) is experiencing some strange side effects. Curious noises, physical ailments, and random occurrences are plaguing her day-to-day life. Then her mother(Miriam Marcet) visits the family physician(Morgan Symes) and gets a wacky diagnosis.
Horrorscope is an excellent satirical horror/comedy short directed by Pol Diggler. The acting, writing, and direction are all on point and work together to create a film that is fresh and funny. Some may claim this film seems unfinished but those critiques are missing the point. Without giving any spoilers, Horrorscope is made with a certain style intentionally, to further the goal that it achieved. A huge recommendation for anyone who loves comedy and horror alike.
I give Horrorscope 6 out of 6 reels.
A woman(Emily Roszatycki) finds the house she’s renovating has some interesting decorative features.
Sometimes realizing one’s actions is horrifying. In Fresh Start, directed by Michael Welborn, we get a clever horror short that delivers a nice build up of tension, leading to a disturbing conclusion. What’s impressive is the audience views this all in a little over a minute. Some may find the minimalistic approach lacking, but that means more is left to the imagination. It’s what you don’t see that makes Fresh Start a frightening watch.
I give Fresh Start 5 out of 6 reels.
An autumn storm is rolling in as a woman feverishly works to finish her yard work. Suddenly a mysterious object comes hurdling out of the sky, crash landing on her property. She then fearfully begins to slowly step toward the glowing orb…
Playing on our fears of the unknown Neptune is a micro sci-fi/horror film directed by Sen 3 Productions. A mundane activity, in this case raking leaves, lulls the audience into a sense of calm familiarity. The scenario is then turned completely upside down. A maddening conclusion unfolds, one that is difficult to describe with words alone. Despite being more of an introduction to a larger film Neptune still demands being seen, to find out what horrors lie in the orb.
I give Neptune 4 out of 6 reels.
A boy(Tobin Welborn) invites his caregiver(Faith Damian) to try some cool virtual reality technology. She soon finds the world she has entered seems very realistic. Maybe too realistic.
Very Real, directed by Michael Welborn, is a short horror film that leans heavily into its main premise. In the past we controlled technology not allowing it to take over our everyday lives. As more and more innovative devices are invented, that line blurs. Very Real takes the concept of something we mostly believe harmless, virtual reality gaming, and turns it into a horrifying nightmare. While some aspects are a bit confusing, particularly the motivations of the boy in the film, Very Real still is a very scary watch.
I give Very Real 4 out of 6 reels.
Two cleaners(Jason Scarbrough, Gloria Bueno) arrive to clean up the scene of a messy homicide. Weird things begin to occur when it’s apparent everyone hasn’t left the scene of the crime.
True crime has been popular for some time now and in Death Cleaners, directed by Isaac Rodriguez, we get some true crime themes mixed with horror. The setup is interesting because we see the aftermath of a crime scene investigation, which is rarely explored. It’s easy to relate with the main characters. They are there to do a specific job, but they can’t help being curious. We’ve all been there and Jason Scarbrough and Gloria Bueno are excellent in portraying this. Also, Kandie Garcia is perfect in the horrifying conclusion. Death Cleaners is a frightening tale and recommended to anyone who wants a fictionalized twist on the true crime genre.
I give Death Cleaners 5 out of 6 reels.
Being enamored by her beauty a man(Raavian Rehman) is willing to do anything for his new girlfriend(Celeste Blandon). Her name is Lilith and she hopes to mesmerize him, mind, body, and soul.
A poetic take on a classic tale, Lilith is a chilling horror short directed by Aly Hardt. The writing is fantastic, showing the time and care put into the script. Lilith combines elements of films from the past while also maintaining a sense of modernism. This creates an intriguing mixture of filmmaking styles, new and old. The cinematography is excellent with some great panning shots that build atmosphere and tension. The camerawork doesn’t feel forced and forms organically around the script. The dreamlike quality of the film may turn-off some, but it’s this artistic quality that gives Lilith a uniqueness all its own.
I give Lilith 4 out of 6 reels.
The Boston Maniac
Pedro(Pedro Caxade) finds himself in the most horrific of nightmares, trapped in the house of Luger(Bill Hutchens) AKA The Boston Maniac.
Directed by Judson Vaughan, The Boston Maniac is a horror short described in one word: Brutal. Luger is a villain that would scare anybody out of their mind and Bill Hutchens plays him excellently. The cinematography and lighting add to the film by creating shots that are gruesomely beautiful. The gory practical effects are just icing on the cake. For fans of The Texas Chainsaw Massacre and Hostel, The Boston Maniac is wholeheartedly recommended.
I give The Boston Maniac 6 out of 6 reels.
I Know You
While casually reading a book Mike Fischer(Kyle Blair) gets interrupted by a complete stranger(David Waldman). “I know you,” the stranger replies. Mike, however, does not and is getting concerned as this stranger seems to know him exceptionally well.
Problems in our lives always seem to catch up to us and in the dark comedy I Know You directed by Nic White, things are no different. A problem has caught up to Mike and he deals with it in a hilarious fashion. The physical comedy in I Know You is enjoyable, and will leave you laughing despite Mikes dire situation. We also get some descent gore in and the special effects are very well done. The low-budget is noticeable but with solid acting, creative direction, and plenty of laughs I Know You rises above.
I give I Know You 5 out of 6 reels.
The Nervous Breakdown
An odd creature gets trapped in the confines of a hotdog bun. If that got your attention then continue on into the mad world of The Nervous Breakdown.
Excellent audio and visual artist MCR Electric Otto brings his brand of chaotic animation to life with The Nervous Breakdown. Stuttering hand drawn visuals accompanied by aggressive electronic beats create something stunningly unique. Some will love it, some may hate it, but none can deny the artistry and creativity in this animated short.
On a trip into the countryside to place flowers on their father’s grave Johnny (Russell Streiner) and Barbara (Judith O’Dea) are attacked by a strange man. Barbara flees for her life and takes refuge in an abandoned farm house. Ben (Duane Jones) arrives and announces more creatures are coming. While shoring up the house against the creatures other survivors emerge. Harry Cooper (Karl Hardman) and Tom (Keith Wayne) begin the argument about what should be done. Helen Cooper (Marilyn Eastman) and Judy (Judith Ridley) respond by contributing their views. Everyone arrives at two undesirable options: to remain hold up with a growing horde of cannibals outside or to take the Cooper’s wounded daughter and make a run for a shelter miles away.
Romero instills in us a sense of isolation with his use of distance in his shots. The opening shot is a long winding road with a car in the far distance. Inside the house Barbara is commonly shot in the background alone as she suffers through shock. The dialogue has plenty of sharp back and forth which feels authentic and maintains high tension. It is interesting to see how a movie monster so iconic was first imagined compared with what it has evolved into today.
The movie does show its age, as of this writing it is 51. The organ music seems more in keeping with films much older than this. Despite lower production values the movie remains relevant because of the ways it can be interpreted. For instance, zombie bites cause infection and zombies can be killed by destroying the brain. Does that symbolically mean speech coming from the mouth converts a person and it’s an idea in their head that motivates their actions? Regardless of interpretations…
John’s(Matt Kelly) order has finally arrived and he’s beyond excited. He has bought a robot named Patina(Alan Maxson) and can’t wait to show it to his wife, Alexa(Annabel Barrett). Alexa isn’t amused, however, as Patina is malfunctioning and it’s getting worse as the day goes on.
Sci-fi has always been a good companion to horror and Patina, directed by Alan Maxson, is no different. The genres blend together seamlessly with a dash of dark comedy added to the mix. While we’ve seen rouge artificial intelligence stories before it’s the overall execution that pulls Patina together. The acting is exceptional with all three actors playing off each other nicely whether it be for laughs or for scares. The sound design is also terrific with Patina’s movements sounding both prehistoric and futuristic. Patina is fantastic on all fronts and is highly recommended for any lover of the sci-fi/horror genre.
I give Patina 6 out of 6 reels.
The Soul Collector
The hunter(Michael May) is collecting souls when he happens on the home of his next victims. As the hunter approaches a wife(Tierney Michon) is preparing to shower while her husband(Travis Cox) is watching television with their children. A surprise awaits when he finds this family isn’t as helpless as they seem.
With The Soul Collector director Nick Peterson has made a sci-fi/horror short that is absolutely oozing with style. The art direction stands out and it’s this uniqueness that gives The Soul Collector a memorable quality. The story, which begins as a standard slasher movie, goes places that are certainly unexpected. Some may question the use of the art style for the entire film as it creates some mild confusion, but it doesn’t take away from the quality of the film or the excitement it elicits.
I give The Soul Collector 5 out of 6 reels.
A deranged man(Nicholas Badamo) is attacking the poor patrons of a bar. No. . . wait, now he is dancing seductively with a woman(Christi Perovski). Watch as an intriguing story unfolds that is unlike anything considered normal.
A film difficult to critique due to how it unfolds, Verso is full of charisma, attitude, and mystery. Directors Ryan Russell Steele and Joseph Victor have created Verso in an interesting way that not only progresses the story, but also uniquely shifts the genre of the film. Morphing the genre not just in the moment, but of the film in its entirety. Verso has interesting art house decisions that may turn off some viewers, but the choices made were for the overall vision and enhancement of the film.
I give Verso 5 out of 6 reels.
Razaphel(Tanner Sells) is having terrible dreams. Nightmares of a group that call themselves the reapers. Razaphel tells his grandmother, Marion(Jami Cullen), about the nightly terrors hoping for an explanation. Marion’s sympathy soon turns to excitement as she knows exactly what Razaphel’s dreams are prophesying.
Directed by Gin Wills, The Reapers is a fantasy horror film that is full of rich lore. On the surface, The Reapers is your standard “I’ve had a bad dream” tale where little info is given about what is going on. In The Reapers, however, you receive an explanation for the nightmares. The audience gets answers for many questions, but also leaves enough mystery for future installments. The overall quality of The Reapers is rough, but the imagination and creativity remain unaffected. This should help in the making of future films should they be made.
I give The Reapers 3 out of 6 reels.
After locking up for the evening a janitor(Jimmy Doom) begins the job of cleaning the local church. After a while he finds that he’s not along when he finds a mysterious woman sitting among the pews. Politely asking her to leave proves dangerous when a devastating chain of events begins.
Apollyon, directed by Bret Miller, is a horror story that delivers a strong message about issues in today’s society. It’s a slow burn, but the tension builds perfectly as Apollyon leads to its last act. The story that Apollyon conveys builds nicely, weaving perfectly with the building tension. It’s societal message comes across unobtrusively, not being thrown in the viewers face. The suffocating tension melding with the intense plot leads to a conclusion that is a deafening crescendo of horror.
I give Apollyon 6 out of 6 reels.
Everything is perfectly normal in the household of a father(Jesus Andres De Dios), mother(Virginia Nolting), and their son(Felix Martin Lobato). Sure strange events are occurring in the neighborhood but nothing to be really worried about, right?
Sometimes people are so fixated on daily activities that they don’t notice the world around them. This is especially true of children and in Arcanus, directed by Fernando Ruiz, we get exactly that. A film that is extremely jarring in it’s scary moments, Arcanus has some very unique jump scares. Through the use of electronic music (think Aphex Twin and Squarepusher) and quick camera cuts to disturbing imagery, Arcanus delivers us these creative scares. Though the story could give us a bit more answers about what’s going on, Arcanus still delivers a slick presentation with plenty of style.
I give Arcanus 4 out of 6 reels.
The cabal leader(John Creedon) is finally ready to resurrect the long dead king. All he needs to do is recite some phrases from the sacred texts. Now where did he put those stubborn sacred texts?
A micro comedy/horror directed by Emmet O’BrienLong Overdue takes a moment we’ve all had, realizing we’ve lost something, and turns it into a hilarious short. The amount of lore and world building packed into Long Overdue is impressive, seeing as it’s only a minute long. The film relies solely on one premise, however, and it would have been nice to see a few more quick jokes thrown in. This doesn’t distract from Long Overdue’s quality and by the end of the film any audience will be laughing out loud.
I give Long Overdue 5 out of 6 reels.
Michael North(Cliff Beverly) is having a very stressful day. He has just skipped his fathers funeral and the reading of his will. Micheal is soon visited by Phil Carter(Steve Ledyard), a representative of his father’s affairs. It seems that Micheal’s father left him an important item. An item that will change Michael’s perspective on life forever.
In the first minutes of Bequeathed we get what many horror movies are unable to do in an hour by establishing a gripping plot that hooks the audience. Both director Michael McCallum and actors Cliff Beverly and Steve Ledyard are able to create a story that is rich with potential. When the scares begin to take hold not only are they terrifying but they also work to further the lore. In the end a few to many questions are left unanswered, which may cause some confusion. A minor criticism though because Bequeathed still leaves the viewer with an eerie sense of suspense and unease.
I give Bequeathed 5 out of 6 reels.
The past few nights a woman(Janissa Saracino) is plagued by a stranger who is attempting to enter her locked apartment. Her doorknob turns back and forth as she is stricken with fear. Upon seeing that her neighbor(Dre Soule) is experiencing the same phenomenon, she lets the stranger inside. . .
What begins as a straightforward horror concept of attempted home invasion turns toward the mysterious and weird in Midnight Visitor. Directed by Abby Brenker, Midnight Visitor has one of the more interesting ideas you’re like to see for a horror movie antagonist. The film creates a otherworldly setting that imbues a lingering sense of creepiness in the viewer. Questions about the Midnight Visitor will be with the audience long after the film has ended.
I give Midnight Visitor 4 out of 6 reels.
El Bano 3
A woman(Freespirit_Mace) is out for a walk when she stumbles upon some skeletal remains. Instead of contacting the authorities she gets entranced by a jewel that she finds on the body. A jewel that is both precious and deadly.
A horror short directed by Studi Yo Bless, El Bano 3 plays out like a classic fairy tale. Similar to old horror stories told around the campfire, El Bano 3 will send shivers down your spine. Most people have had the urge to take abandoned items of value and in this way El Bano 3 is a cautionary tale. The film is a modern take on this story, done with a style and grace that makes it more approachable for a newer audience. While the low-budget may turn off some viewers El Bano 3 still has a nostalgic old school charm.
I give El Bano 3 3 out of 6 reels.
Stay tuned for PART 3 of 3 – A SLICE OF FRIGHT Film Fest 2019 Mini Reel Reviews!
Mark Kelly is BAAAACK with more mini Reel Reviews! This time Mark’s reviewing all of the films showcased at A SLICE OF FRIGHT Film Festival 2019!
Ding. . . You’re Dead
A man(Trevor Larson), who is dog sitting for a friend, decides to enjoy a nice microwave lasagna. It’s after retrieving his delicious dish that he realizes strange things are occurring.
As scary as it is funny, Ding. . . You’re Dead is an excellent addition to the horror/comedy genre. Jay Salahi does a great job directing by setting up frightening set pieces, while adding bits of humor in just the right places. Also, Trevor Larson’s very expressive performance is priceless and really adds to the laughs. Ding. . . You’re Dead does tend to land on the goofy side of comedy, but that doesn’t take anything away from the quality.
I give Ding. . . You’re Dead 5 out of 6 reels.
Little clay men are at the mercy of their creator. . . The Animator!
A delightful dark comedy about the claymation process, The Animator is a really fun watch. Think of being a kid and the joy of toppling over a tower of blocks you’ve just constructed. Now think more gruesome, as you’re destroying things you’ve made out of clay. This is The Animator. Also, director Trent Shy deserves a round of applause as any foray into the world of claymation can be very work intensive and tedious.
I give The Animator 6 out of 6 reels
In Good Health
Marshall(Bryan Landon) has just gotten back from vacation with his girlfriend Val(Rachel M. Beck). As usual with seemingly every vacation Marshall has become very ill. Val leaves and wishes him well but all seems hopeless as he calls sick into work. That is until along comes a spider.
Directed by Jerrod Rachow, In Good Health is a little light on the horror but makes up for that by telling a truly bizarre tale. In the beginning we get some nice aerial shots, which sets the proper mood. The acting, while not outstanding, is good enough to set up an investment in the characters. What follows is a story that is strange and unique. While the ending could have used a little more explanation, In Good Health definitely leaves the audience a sense of unease and dread.
I give In Good Health 4 out of 6 reels
A boy(Ayman Boulahrouz) goes to his grandfathers (Fred Van Der Hilst) after school. As he waits for his mother to return home the boy begins to notice that his grandfather is acting strangely. He doesn’t seem himself and the odd behavior is rapidly escalating.
A look into the world of a real fear that we all share, Watch Out is a horror film directed by Shariff Nasr. The fear of finding a loved one isn’t who they say they are is relatable and makes Watch Out all the more horrifying. The pacing in this film is incredible, giving little morsels of scares along the way until the big feast at the end. While we’ve seen most of these scares before Shariff Nasr puts a personal touch to each scenario, making each unique.
I give Watch Out 5 out of 6 reels
Abbey(Gwen Marcello) is having a hard time going to sleep after being tucked in for bed. She’s hearing strange noises and both her mother(Andrea Zenovia) and father(Andrew Mitakides) don’t want to believe she’s crazy. Maybe there is some truth to the claims, however, as an evil begins to slowly spread.
In Vanishing Point director Michael R. Shea introduces us to a world that, at first glance, appears small and fairly simple. Quickly it opens up into something that is much more large and terrifying. Relying on scares that are otherworldly rather than practical, Vanishing Point frightens viewers with thoughts of the unknown. Even though the overall production is rough around the edges it’s the unsettling feeling that Vanishing Point leaves us with that matters most.
I give Vanishing Point 4 out of 6 reels.
Two grave robbers, Tanya(Holly Stevens) and Preston(Craig Gunn), are looking to get rich quick by scoring some precious jewels. It’s soon clear they are not professionals as they begin to flub up every step of the process with hilarious results.
Directed by Angus Swantee and Walter Forsyth, Grave Sight is a dark comedy that is funny while also containing some pretty disturbing gore. The script is well written delivering plenty of laughs with the constant bickering between the two grave robbers, Tanya and Preston. The situation gets even more hilarious and we get some great physical comedic bits in the process. The ending is something to behold when an evil character enters, spectacularly performed by Dale Bellefontaine. Grave Sight is a little light on the scares but it definitely shines in terms of its comedic and entertainment value.
I give Grave Sight 5 out of 6 reels.
A grandmother(Margaret Elsesser) and her granddaughter(Shannon Grant) are enjoying each other’s company by knitting some scarves. When the conversation turns to problems she is having at school, the granddaughter gets some grandmotherly advice. Remember, grandmothers always know best.
The Scarf, directed by Neil Willoughby, is a unique film in that a full description of the genre would be best left unheard by a first time viewer. However, saying this is a horror tale doesn’t give much away as very early on we get some quality scenes of all out terror. It’s the ending that needs kept under wraps, as it puts a nice bow on the entire short. The acting is a little over the top at times, which makes the story a bit confusing, but it all comes together nicely at the end.
I give The Scarf 4 out of 6 reels.
A man(Damien Reynal) is chasing a woman(Flore Vannier-Moreau) down a deserted street in the middle of the night. At least that’s what it seems. We soon find that there is more to this story that what meets the eye.
Directors Gregoire Vaillant and Charles-Edouard Dangelser take a different approach to the “damsel in distress being chased by a male assailant” horror troupe in the thriller Hypnosis. The chase scenes are well done as they build high tension in the action portrayed on the screen. Previous story bits are woven nicely throughout the chase, giving the viewer a back story to what’s going on. The ending is satisfying, wrapping up the immediate questions that need addressing while leaving others unanswered. Hypnosis is a great short to watch multiple times, as you catch little things in each play through that you may have missed before.
I give Hypnosis 6 out of 6 reels.
A woman(Denise Hill) goes to investigate some music being played in her attic before going to bed. What sounds like a soothing tune quickly becomes something much more sinister.
Directed by Jess Vande Zande, Siren is a micro horror short that answers the question, “What is that weird noise in the attic?”. It delivers an ending that is enjoyable for any fan of old school creature features. What Siren lacks for in budget it makes up in the creative design of all the frightening features found in the creepy attic.
I give Siren 3 out of 6 reels.
Bump in the Night (Jason Interview)
Hosts Da Boogie Man(Johnny Zuko) and The Crypt Keepers Mistress(Ginger Snap) are back with another captivating interview. Today’s guest? The one and only hockey mask wearing terror of Camp Crystal Lake himself, Jason Voorhees!
Bump in the Night, directed by Mizz Moist, is a film that plays out like a dark horror comedy sketch. Something that could have been on Kids in the Hall or The State, we see a premise that is hilarious to watch due to its absurdity. The star of the show, Jason Voorhees, was done exceptionally well and looks like he is ripped straight off the set of one of his cult films. Laughs, horror, and gore we get it all in Bump in the Night.
I give Bump in the Night (Jason Interview) 4 out of 6 reels.
We’re back with Mark Kelly’s mini reel reviews of the remaining SUDS & CINEMA – Knoxville short film selections!
A man(Cody Lovorn) encounters a major dilemma. Should he or should he not eat the delicious snack he has found lying on the floor?
Directed by Cody Lovorn, Cheeto is a comedic micro short. What Cheeto lacks in terms of story it makes up for in quality and entertainment. A hilarious look into a moment that everybody has probably experienced,
I give Cheeto 3 out of 6 reels.
After an evening of browsing the internet, doing some research on purchasing a home security system, a man(Cody Lovorn) decides to call it a night. As he heads for bed, however, he soon realizes that his decision to install a security system may have come to late.
A film directed by Cody Lovorn, Don’t Die is a frightening look into the horror sub genre of home invasion. Close attention is payed to the setup of specific shots, which leads to an authentic feeling of fear without resorting to jump scares. Due to the high quality of the filmmaking and the subject being highly relatable,
I give Don’t Die 6 out of 6 reels.
Novelist Jared Draybeck(Michael McCallum) is going through a rough time. He’s got a bad case of writers block and the relationship with his partner Jalynne(Rachel Mender) is crumbling. Jared plans a long session of writing at his friend Davids(Wolf Hogan) house where he reads the most important piece of fan mail he’s ever received.
Foreword is a mind bending tale of jealousy and revenge directed by Michael McCallum. The plot and excellent way in which the director leads us through the story are what makes Foreword intriguing. Some questions were purposely left unanswered which supports a sense of mystery and suspense. The acting is not a strong part of Foreword, but doesn’t distract from the film.
I give Foreword 5 out of 6 reels.
Voice in the Radio
Kevin(Vince Hobart Smith) is trying to find meaning in his life and of a voice(Haydn Wolfie Koeller) that he hears. A voice that has reassured in the past, but is now asking more of Kevin. A voice that comes out of an old, static filled radio.
Voice in the Radio is a drama directed by JW Cox. It’s a moving look at a mans search for the meaning behind a mysterious voice he hears on an old radio. Effective acting is an essential element to many dramas and Voice in the Radio doesn’t disappoint. Vince Hobart Smith does a terrific job as Kevin and he goes to incredible places with the smartly written script. While the film does walk the line in being overly dramatic in delivering its message,
I still give Voice in the Radio 4 out of 6 reels.
A father(Curt Willis) encounters a strange being(Kristin Cochell) in the woods. A strange being that threatens to destroy his wife(Chloe Zeitounian), daughter(Ava Culpepper), and his own sanity.
Papa, a folk horror film directed by Brain Peery, is a terrifying look at a mans mind slowly disintegrating and the destructive relationship with his family. In nuanced fashion we see how a variety of relationships, whether it be man/nature, wife/husband, or daughter/father, can begin to crumble. The acting, the writing and the cinematography were all done with great care in furthering the disturbing story.
I give Papa 6 out of 6 reels.
At the grocery store a customer(Tyler Broadway) walks to the self checkout, ready to ring up his items. As we all know, sometimes these machines do some pretty weird things. It’s almost as if they have a life of their own.
A hilarious comedy directed by Hanson Devil, Self Checkout is a slightly off kilter look at the self checkout process, in which most of us know the problems. Self Checkout is an absurdist take on one of these scenarios. The jokes are well written and come at a brisk pace. Tyler Broadway’s over the top delivery also contrasts well with Megan Jones’s dry humor as the self check automated voice.