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“Good Works” – Reel Review

A woman(Stella Ryan-Lozon) is concerned her life’s purpose may be in jeopardy. Eerie apparitions are tormenting her on an increasingly consistent basis. Will these ghostly visions impede her progress or will she break through these mental instabilities and continue her good work.

Playing like a greatest hits of horror sub genres Good Works, directed by DJ Remark, is a successful short film on many technical fronts. By combining great direction with a mysterious story written by Jason Orr the viewer gets suspenseful tense moments that will please fans of supernatural horror. Great cinematography by Adam Kurtz entwined with gory practical effects by Elizabeth Defelice will delight fans that crave a more realistic feel to their horror. These elements make Good Works an effective piece of scary cinema.

Some mild criticisms of Good Works are a main character whose personality falls a little flat and a storyline that is a bit confusing. Stella Ryan-Luzon plays her character very calmly to protect a revelation during the end of the film. Adding more emotion to the character, though, wouldn’t have ruined the ending. Also, some might want a second viewing due to a slightly perplexing conclusion. Neither of these critiques, however, affect a viewer’s enjoyment of Good Works.

Overall, Good Works is a short horror masterpiece. The ability to mix different sub genres of horror so effortlessly is impressive. Great direction, writing, cinematography and practical effects all helped to make this possible. The main character is a little dry and the ending can be confusing but these don’t disrupt the overall quality. I recommend Good Works to anybody that loves a truly scary movie.

I give Good Works 6 out of 6 reels.

SLASHER – Horror Comic #4

CinemaSlice and Nightmisful Comics are BACK for a final installation of SLASHER Horror Comic! Enjoy the creepy soundtrack music below while you read the extra creepy 4th issue!

Is this really the FINAL comic in the series?! But there are so many unanswered questions!!??

As you know, Slicers, It’s hard to keep a psychopathic killer down…. Stay-tuned for new comics to come from Nightmistful Comics and CinemaSlice.com!

#SliceThePlanet

SUDS & CINEMA – Holiday Party – Press Release

CinemaSlice is proud to present the first ever SUDS & CINEMA – Holiday Party and Film Festival event in Memphis, TN!

CinemaSlice is hosting an evening of short films, craft beer, and holiday cheer!

Saturday, December 7th, 2019 • 7pm – 9pm Central
At WISEACRE Brewery
2783 Broad Ave.
Memphis, TN 38112

SUDS & CINEMA is a multi-genre short film celebration, uniquely organized and carefully curated to entertain audiences with independent movies, both locally and on a national level! SUDS & CINEMA – Holiday Party, hosted by John Sklba, this film festival will showcase 12 short holiday films (ranging in length from 1 min – 15 mins) from Memphis and beyond. During the course of the event we’ll be holding an ugly sweater contest and ornament decorating activity! Immediately following the short film presentation, we’re announcing the award winning films, including the “Judge’s Pick” Best in Fest Award and the “Viewer’s Choice” Award (selected by the audience).
So, come on out to this FREE film festival, grab a cold one, and watch some awesome independent short films– and don’t forget those UGLY CHRISTMAS SWEATERS!

OFFICIAL SELECTIONS:
– Shelf Elf
– Crushed Kringle
– Krampusnacht
– The Present Situation
– Green Jello Song
– Naughty
– Alchemy
– Santa Comes Tonight
– Thanksgiving
– Joyeux Noel
– O Tidings of Joy
– Naughty List
– House Music
– Cookies Rap
– Santa Comes Tonight
– A GeeChee Christmas

About CinemaSlice
With the spirit of Independent Filmmaking at the fore-front, CinemaSlice produces original content, and serves as a platform for independent cinema. By releasing new content on a regular bases, and also hosting film festivals across the US, we’re maintaining our primary goal: SUPPORT INDEPENDENT CINEMA!

History of the ‘Slice
CinemaSlice understands the tremendous amount of work that goes into creating indy films, and the large scale collaborations required to execution projects. CinemaSlice began as a way to facilitate collaborations between contributors in various states. This trend continues to expand and evolve.

CinemaSlice produces original films and videos, and currently has several annual events (Black Friday filmmaking event, A SLICE OF FRIGHT FILM FESTIVAL, and Suds & Cinema Film Fest), as well as more individual events (pop-uptheater, theatrical premieres, filmmaking competitions, etc). We’ve been very fortunate to work with some of the most talented musicians, artists, and filmmakers over the last few years!  From producing music compilations to short films, from film posters to film reviews, and from feature films to festivals— CinemaSlice continues to strive for quality entertaining content.

Current
At the moment, CinemaSlice is:
• Producing a series of multi-genre film festivals that all take place at breweries— SUDS & CINEMA (CinemaSlice.com/suds)— in various states around the U.S.
• Preparing for the 3rd annual Short horror film festival this October (CinemaSlice.com/FrightFest)
• Developing content for season 4 of the Horror Anthology Series, A SLICE OF FRIGHT (CinemaSLice.com/Fright)

Call for Collaborators
In order to maintain a steady stream of original content, CinemaSlice is constantly seeking new contributors to work with. In order to grow, we need your help– If you’re interested in collaborating or contributing to CinemaSlice.com, drop us a line! 

Slice The Planet!

BLOOD ON THE LENS – Soundtrack Free Download

The Official Soundtrack for the satirical horror film, BLOOD ON THE LENS is NOW available for FREE DOWNLOAD!

SLASHER – Horror Comic – Soundtrack

BLOOD ON THE LENS – Soundtrack

This collection of original soundtrack music from the CinemaSlice film, BLOOD ON THE LENS, by Austin-Michael Riley, Marvin Maddicks, Jr, and David Waldman.

CLICK HERE TO DOWNLOAD NOW – BLOOD ON THE LENS – Soundtrack

Ⓒ CinemaSlice • November 2019

Eternal Code Reel Review

Bio-Engineered Research Ventures has made a monumental discovery in the world of transplantation. In developing their Eternal Life Tech they have found a way to transplant a person’s mind into an entirely different body. In order to further experimentation the board is looking to merge with another company, Intragenetica. 

Against this decision is Bio-Engineered’s CEO, Bridget Pellegrini(Erika Hoveland). She recognizes Intragenetica’s shady intentions and doesn’t want her company’s research being used to “play God”. It’s this decision, however, that puts her, her husband Mark(Billy Wirth), and her daughter Miranda(Angelina Danielle Cama) in immediate danger.

A fellow high-ranking employee, Oliver(Richard Tyson), is willing to do anything to make sure Bridget sees things his way. This includes blackmailing, kidnapping, and even murder. It’s then that homeless war veteran Corey(Damien Chinappi) steps in to help the Pellegrini’s. Corey will do anything to stop Oliver from putting Eternal Life Tech into dangerous hands.

Directed by Harley Wallen, Eternal Code is an action thriller similar in tone to films like Die Hard and Taken. Following in the footsteps of these classics you have all the elements of a great action movie in a world destroying dilemma, a family in peril, a diabolical villain, and a hardened badass hero. Eternal Code takes a while to get going with the first half hour being a little slow. Soon enough the film picks up and brings plenty of high stake scenes that are action packed and full of dramatic tension. The Pellegrini family(Erika Hoveland, Billy Wirth, and Angelina Danielle Cama) does an effective job in making you feel the danger they are in and Richard Tyson turns in an amazing performance as the slimy main antagonist, Oliver. 

The first 30 minutes of Eternal Code is where the film falters somewhat. The “science gone wrong” plot gets explained well enough, but our main protagonist Chris’s(Damien Chinappi) character development felt a little lackluster. He forms a bond with the daughter of the Pellegrini’s by her giving him money and baked goods because of his homelessness. These scenarios felt somewhat forced and unrealistic, even for a film about mind transplantation. Confusion over Chris’s character development continues near the end of the film where he seems to jump from a hardened personality to caring at the drop of a hat, with very little blending in between.

Overall, Eternal Code is an entertaining take on the kick ass action films of the past. The sci-fi plot line is fun and engaging, while the main villain is dangerously menacing. The hero’s motives and his relationships with others are confusing at times, but that doesn’t distract much from the film. Eternal Code is highly recommended for anyone who enjoys good action movies with high stakes and tense, thrilling moments.

I give Eternal Code 5 out of 6 reels

A Slice of Fright 2019 Reel Reviews Part 3

This is the 3rd and final set of short horror films review form A SLICE OF FRIGHT Film Festival 2019.

Horrorscope

Sick with a mysterious illness a girl(Claudia Trujillo) is experiencing some strange side effects. Curious noises, physical ailments, and random occurrences are plaguing her day-to-day life. Then her mother(Miriam Marcet) visits the family physician(Morgan Symes) and gets a wacky diagnosis.

Horrorscope is an excellent satirical horror/comedy short directed by Pol Diggler. The acting, writing, and direction are all on point and work together to create a film that is fresh and funny. Some may claim this film seems unfinished but those critiques are missing the point. Without giving any spoilers, Horrorscope is made with a certain style intentionally, to further the goal that it achieved. A huge recommendation for anyone who loves comedy and horror alike.

I give Horrorscope 6 out of 6 reels.

Fresh Start

A woman(Emily Roszatycki) finds the house she’s renovating has some interesting decorative features.

Sometimes realizing one’s actions is horrifying. In Fresh Start, directed by Michael Welborn, we get a clever horror short that delivers a nice build up of tension, leading to a disturbing conclusion. What’s impressive is the audience views this all in a little over a minute. Some may find the minimalistic approach lacking, but that means more is left to the imagination. It’s what you don’t see that makes Fresh Start a frightening watch.

I give Fresh Start 5 out of 6 reels.

Neptune

An autumn storm is rolling in as a woman feverishly works to finish her yard work. Suddenly a mysterious object comes hurdling out of the sky, crash landing on her property. She then fearfully begins to slowly step toward the glowing orb…

Playing on our fears of the unknown Neptune is a micro sci-fi/horror film directed by Sen 3 Productions. A mundane activity, in this case raking leaves, lulls the audience into a sense of calm familiarity. The scenario is then turned completely upside down. A maddening conclusion unfolds, one that is difficult to describe with words alone. Despite being more of an introduction to a larger film Neptune still demands being seen, to find out what horrors lie in the orb.

I give Neptune 4 out of 6 reels.

Very Real

A boy(Tobin Welborn) invites his caregiver(Faith Damian) to try some cool virtual reality technology. She soon finds the world she has entered seems very realistic. Maybe too realistic.

Very Real, directed by Michael Welborn, is a short horror film that leans heavily into its main premise. In the past we controlled technology not allowing it to take over our everyday lives. As more and more innovative devices are invented, that line blurs. Very Real takes the concept of something we mostly believe harmless, virtual reality gaming, and turns it into a horrifying nightmare. While some aspects are a bit confusing, particularly the motivations of the boy in the film, Very Real still is a very scary watch.

I give Very Real 4 out of 6 reels.

Death Cleaners 

Two cleaners(Jason Scarbrough, Gloria Bueno) arrive to clean up the scene of a messy homicide. Weird things begin to occur when it’s apparent everyone hasn’t left the scene of the crime.

True crime has been popular for some time now and in Death Cleaners, directed by Isaac Rodriguez, we get some true crime themes mixed with horror. The setup is interesting because we see the aftermath of a crime scene investigation, which is rarely explored. It’s easy to relate with the main characters. They are there to do a specific job, but they can’t help being curious. We’ve all been there and Jason Scarbrough and Gloria Bueno are excellent in portraying this. Also, Kandie Garcia is perfect in the horrifying conclusion. Death Cleaners is a frightening tale and recommended to anyone who wants a fictionalized twist on the true crime genre.

I give Death Cleaners 5 out of 6 reels.

Lilith

Being enamored by her beauty a man(Raavian Rehman) is willing to do anything for his new girlfriend(Celeste Blandon). Her name is Lilith and she hopes to mesmerize him, mind, body, and soul.

A poetic take on a classic tale, Lilith is a chilling horror short directed by Aly Hardt. The writing is fantastic, showing the time and care put into the script. Lilith combines elements of films from the past while also maintaining a sense of modernism. This creates an intriguing mixture of filmmaking styles, new and old. The cinematography is excellent with some great panning shots that build atmosphere and tension. The camerawork doesn’t feel forced and forms organically around the script. The dreamlike quality of the film may turn-off some, but it’s this artistic quality that gives Lilith a uniqueness all its own.

I give Lilith 4 out of 6 reels.

The Boston Maniac

Pedro(Pedro Caxade) finds himself in the most horrific of nightmares, trapped in the house of Luger(Bill Hutchens) AKA The Boston Maniac. 

Directed by Judson Vaughan, The Boston Maniac is a horror short described in one word: Brutal. Luger is a villain that would scare anybody out of their mind and Bill Hutchens plays him excellently. The cinematography and lighting add to the film by creating shots that are gruesomely beautiful. The gory practical effects are just icing on the cake. For fans of The Texas Chainsaw Massacre and Hostel, The Boston Maniac is wholeheartedly recommended.

I give The Boston Maniac 6 out of 6 reels.

I Know You

While casually reading a book Mike Fischer(Kyle Blair) gets interrupted by a complete stranger(David Waldman). “I know you,” the stranger replies.  Mike, however, does not and is getting concerned as this stranger seems to know him exceptionally well.

Problems in our lives always seem to catch up to us and in the dark comedy I Know You directed by Nic White, things are no different. A problem has caught up to Mike and he deals with it in a hilarious fashion. The physical comedy in I Know You is enjoyable, and will leave you laughing despite Mikes dire situation. We also get some descent gore in and the special effects are very well done. The low-budget is noticeable but with solid acting, creative direction, and plenty of laughs I Know You rises above.

I give I Know You 5 out of 6 reels.

The Nervous Breakdown

An odd creature gets trapped in the confines of a hotdog bun. If that got your attention then continue on into the mad world of The Nervous Breakdown.

Excellent audio and visual artist MCR Electric Otto brings his brand of chaotic animation to life with The Nervous Breakdown. Stuttering hand drawn visuals accompanied by aggressive electronic beats create something stunningly unique. Some will love it, some may hate it, but none can deny the artistry and creativity in this animated short.

I give The Nervous Breakdown 3 out of 6 reels.

Thanks for tuning in, Slicers!

Night of The Living Dead – Reel Review

On a trip into the countryside to place flowers on their father’s grave Johnny (Russell Streiner) and Barbara (Judith O’Dea) are attacked by a strange man. Barbara flees for her life and takes refuge in an abandoned farm house. Ben (Duane Jones) arrives and announces more creatures are coming. While shoring up the house against the creatures other survivors emerge. Harry Cooper (Karl Hardman) and Tom (Keith Wayne) begin the argument about what should be done. Helen Cooper (Marilyn Eastman) and Judy (Judith Ridley) respond by contributing their views. Everyone arrives at two undesirable options: to remain hold up with a growing horde of cannibals outside or to take the Cooper’s wounded daughter and make a run for a shelter miles away.

Romero instills in us a sense of isolation with his use of distance in his shots. The opening shot is a long winding road with a car in the far distance. Inside the house Barbara is commonly shot in the background alone as she suffers through shock. The dialogue has plenty of sharp back and forth which feels authentic and maintains high tension. It is interesting to see how a movie monster so iconic was first imagined compared with what it has evolved into today.

The movie does show its age, as of this writing it is 51. The organ music seems more in keeping with films much older than this. Despite lower production values the movie remains relevant because of the ways it can be interpreted. For instance, zombie bites cause infection and zombies can be killed by destroying the brain. Does that symbolically mean speech coming from the mouth converts a person and it’s an idea in their head that motivates their actions? Regardless of interpretations…

I give this enduring classic 5 out of 6 reels.