A review for Lunch Meat is a review for us all. I’m sure my insights here will echo those of everysoul fortunate enough to have ridden the unshakable homegrown fiend of a ride that is Lunch Meat. Watching it seems to synchronize the viewer into some larger, undefined headcheese consciousness. And with a movie named after cold cuts, would you expect anything less than the completely strange?
The movie begins with a false sense of security. Entitled yuppie teens call eachother scab and fungus as they drive towards a cabin they’ll never reach. It all feels familiar. Someone likes someone and that person likes someone else. Someone forgot the lunch meat, and someone forgot the gas, so the jeep gets pushed to the nearest watering hole. The jeep finds a drink and the teens find a bite to eat. It’s evident that those aren’t any ordinary burgers and they grimace and chew. Grimace and chew. Continue reading “Schlock du Jour: Lunch Meat (1987)”→
We see a woman, who leads a simple life, going through her daily activities. We see that she lives by herself in a small apartment and also works at her job as a waitress at a local restaurant.
In “Coco”, a horror film written and directed by Neil Boultby, the viewer is lulled into a false sense of security as we see this woman (Natalia Kaverznikova) go through her day to day, only to find out everything isn’t as it seems. A dark past is slowly unveiled and we find out that an evil presence is following this woman, a presence that intends to destroy everything and everyone she comes into contact with.
That’s right, Slicers! Friday Sept 21st is the FINAL DAY to submit your short horror script or film to the inaugural CinemaSlice film festival, A SLICE OF FRIGHT FILM FESTIVAL!
We would like to send a HUGE THANK YOU to all of the talented filmmakers who submitted their art for consideration! We were literally overwhelmed with the amount of submissions we received for this event– and we CAN’T WAIT to announce our official selections next week.
A great short horror film begins with a great script. Add a creepy concept, some blood & guts, and a terrifying twist– and you have A SLICE OF FRIGHT!
A SLICE OF FRIGHT is CinemaSlice’s horror anthology series (think Tales from the Crypt or Black Mirror, but in short film format). A SLICE OF FRIGHT FILM FESTIVAL is an attempt to showcase talented filmmakers doing exactly what we’re doing– all around the world. The idea is to support independent cinema by curating content that make us cringe with joy.
We’re working with Slicers in OH, MI, TN, PA, and TX to select the 13 best film submissions to highlight on the big screen– And the most outstanding films and scripts will be awarded with laurels and custom trophies! In addition to these awards, we’re also offering the coveted Slicer Awards, and Audience Choice awards for those in attendance.
If you submitted a film, give your name at the door for a free admission ticket to the event!
In closing– If you can make it to Bay City, MI for the festival, DO IT. Bring your current out-of-state Driver’s License to get in for free!
Hey gang, Pete here again to give you my thoughts on the Netflix original Gerald’s Game.
Anyone who knows me is quite aware of my fondness for Stephen King and his works. He his hands down my favorite author. Love him or hate him, one cannot deny his impact on the horror genre both in the literary world and on the silver screen as being substantial. His stories about just any subject on Earth are descriptive, engaging and usually more than relevant.
So it stands to reason that Hollywood would want to capitalize on King’s success. Many of his works have be translated to the big screen. From The Shining to Carrie to the many television miniseries including Salem’s Lot and the adaptation of my favorite novel of all time, The Stand, there are volumes of King’s works filmed for the unconstant reader. Continue reading “Expected NonSense – “Gerald’s Game””→
Howdy gang. Once again, Pete Floyd here delivering the straight poop on yet another film that is generating buzz: Hereditary
In a sea of blockbuster sequels, comic book movies and reboots, this unconventional horror film is a throwback to the scary movies of yesteryear. I’m reminded of films like The Shining that work not with cheap scares or over the top effects to terrify you, but instead rely on psychological terror to get the heart beating.
DISCLAIMER: THIS REVIEW CONTAINS NERDY AND INAPPROPRIATE SHIT.
From director Jim Wynorski, Heather Locklear’s Boobs AKA The Return of Swamp Thing
I saw Avengers: Infinity War against my better judgement. I knew I was done with the modern superhero yarn and I got absolutely nothing out of it. It was big, it was busy, it was SAME-Y. In other words, it was being stuck in traffic on the way to work on Monday morning. The good vs evil dynamic that seems to drive everything isn’t of much interest to me, and when it comes to superhero films, that angle is obviously amplified. For that reason, you won’t find me reviewing superhero films very often…
Enter The Return of Swamp Thing. Based on characters from the DC comic where Swamp Thing is basically Captain Planet without the kids and rings. there are also things like the Rotworld story-line, wherein Swamp Thing—as an avatar of “The Green”, and Animal Man—as an avatar of “The Red”, are tasked by The Parliament of Trees and The Parliament of Limbs, respectively, to team up to defeat Dr. Anton Arcane and “The Rot”. It’s trippy and nightmarish, Lovecraftian even, as it features animals and humans being turned inside out. It is good. Most importantly it feels more like a horror story than a superhero one.
Point being, I view Swamp Thing in a different light, as in my experience he’s portrayed as less of a hero and more of a pile of vegetable matter that just happens to be an elemental entity of balance. That entire point is moot however, since we are talking about Wynorski’s The Return of Swamp Thing.
CinemaSlice.com’s Indy Film Spotlight rolls on with the 3rd installment of the monthly cinematic series.
Next up is “Midland Street Wicked”, a horror film by Even Keel Productions and a movie that was also shot right in my neck of the woods, Bay City, MI. When people are found dead on Midland St. the local community starts to become concerned for their safety. In the area, a group of women get together to have some drinks and we find that one of them may have a connection to a mysterious pair of sunglasses that were lost years earlier.
A connection between the murders on Midland St., the strange sunglasses, and the female friends all lead up to a horrifying conclusion.
This was very entertaining and terrifyingshort film that showcased awesome gory special effects for a low budget movie. The pacing is good with a suspenseful intro that sets up the events nicely, which leads to a fun middle section that introduces us to the main characters in lighthearted way. This makes the back half of the story very effective when we start to see the horror and carnage that unfolds throughout the last 10 minutes of the film.
“Midland Street Wicked” is part of a series that centers around the pair of sunglasses that are described in the film. It can, however, be watched as a standalone experience although I could see the sunglasses being a bit confusing to first time viewers.
On Halloween, 2017, CinemaSlice‘s Michael Welborn released a short film clip paying homage to the 1940 film The Devil Bat (starring Bela Lugosi) – also called The Devil Bat. I asked an old college friend (an avid film fan, and a classmate in Andrew Jefchak‘s Literature and Motion Pictures class at Aquinas College, Grand Rapids, Michigan) for his input on the film before I wrote this.
Talking with Welborn, he mentioned that his intention was to cover what he felt was the main scene(s) in the original film – explaining the short length (a little over three minutes) of this project. He also had some ideas he’d like to try for an expanded homage – though to my knowledge those are still in the concept stage.
Happy Halloween! Devils Night brought the return of Bay City’s Bump in the Night Short Film Fest and with it six scary tales shown at Bemo’s Bar for those brave enough to attend. Here are my thoughts on each of the films.
Killer Shades Saga
The first three shorts shown was a trilogy of sorts. They are connected by a mysterious woman that arrives at various times throughout the three films with a pair a sunglasses that seem to have strange powers.
The Ronnie Blu Obsession
First up in the trilogy was The Ronnie Blu Obsession. This was about the story of a guy whose love for an actress named Veronica Blu leads him down a dark path when he is visited by strange woman. The man receives a pair of sunglasses when he confesses to her that he would do anything for Veronica Blu’s love, even sell his soul.
Out of all of the Killer Shades Saga shorts, this film utilizes the idea of the mysterious sunglasses the best. It added the creepy supernatural element that carried the plot to the end and it kept me interested to see what would happen.
It was the least scary of the trilogy, however, so I’m giving it 3 out of 6 reels.
Midland Street Wicked
People are being found dead on Midland St. and when a group of women get together to have some drinks we find that one of them may have a connection to the sunglasses that were lost years earlier. A connection that shows that the sunglasses evil power has grown.
I thought this short was great. Good build up to the end and some great special effects for a locally made movie.
I give this 5 out of 6 reels.
A conversation between a mother and her daughter about starting a new chapter in their live goes awry when the dreaded sunglasses once again make an appearance.
It’s really short at only about 5 minutes but I’m a sucker for creepy, evil looking children.
A horror film with a mix of humor and sadism. I feel this film is a lot longer than it needs to be. The opening itself running a slightly-past-tolerable 2 minutes, plus. I’m not sure if the background images really do much for setting up the story itself (rather, justifying the amount of time spent on them). It’s possible there’s some key element among them, but after a couple of viewings it still eludes me – other than establishing a medical-theme. The one nice thing though is the opening soundtrack (by AVZTN), which has a special creepiness to it – the classic haunting sounds do produce a chilling effect, causing uneasiness in the viewer (or at least to me).
The first shot is a close-up of an anesthesiologist (played by Michael Welborn), explaining to a patient who he is and what his duties are suppose to be. We then see the patient (Mr. Covington, played by Brandon Guiles). We quickly learn this is suppose to be an appendectomy. However the bedside manner of the physician is disturbing Covington a bit.