A Slice of Fright – Mini Reel Reviews (pt 2)

I’m back to review more short films from A Slice of Fright Film Festival!

*6 YEARS

directed by: Kamil Wojcik

Year by year, we see events play out in a mans life. As we go through each event things get progressively more disturbing and terrifying. 

An abstract telling of a series of horrifying and gory scenes, at first I thought this animated short would turn me off. After multiple viewings, however, I find myself constantly amazed at how many interpretations I have about the plot of this film. I’m more fascinated by this short with each and every viewing.

6 out of 6 reels.

*MEAT SACK

directed by: Wages of Cine

A detective and her partner come across a horrific crime scene. After the investigation she must track down the killer that committed the unspeakable act. 

This short is oozing with style. The extremely grainy film footage combined with the excellent practical gore effects makes this film have strange sense of realism. It feels as though you’re watching footage found directly at a real crime scene. Unfortunately, this film also suffers from a case of style over substance. It’s as if this film is missing a second act, something that could explain how we get from the murder to the apprehension.

3 out of 6 reels.

*PLAY WITH ME

directed by: Ash Hamilton 

A girl (Katie Schooley) finds that she and 3 other “strangers” are in a very dangerous situation. A skull-masked murderer is after them and their options for survival are quickly running out. 

I’m a big fan of movies that nail their surprise endings. Without giving anything away this film begins with a brutal “Texas Chainsaw Massacre” type feel, but ends in a completely different fashion. The two components complement each other without ruining the overall cohesiveness of the short. In my opinion things get a bit overly silly at times, especially near the end of the film. It was also very interesting to find out that this film also doubles as a clever advertisement.

5 out of 6 reels.

*AM I SCARY NOW

directed by: Jon David Leslie

After losing a Halloween pumpkin carving contest a boy decides to go out trick or treating. His pumpkin may have lost the contest but it may be more scarier than we previously thought. 

I loved this animated short. In starts off with a “It’s the Great Pumpkin, Charlie Brown” feel, making it seem like you’re watching a children’s Halloween special. By the end I was surprised, to my delight, at the gruesome twist that it takes.

6 out of 6 reels.

*COMPENSATION

directed by: Chu-Yi Chen

A man (Ying-Hong Li) is shackled in a dark and dirty room. He has committed a crime, a crime with which a creative punishment is in store for him. 

In a sense this is a revenge film, and a good one at that. With most revenge films we see killing as the chosen course of action. In this film we see that idea being turned on its head. Although a bit more details about the plot could have been useful for clarification, it’s an excellent film nonetheless.

5 out of 6 reels.

*THE LAST CRY

directed by: Cynthia Bergen

After receiving reports of mysterious sounds coming from a abandoned warehouse a paranormal investigator looks into the situation. What she encounters within will haunt her dreams forever. 

At first I thought, “Oh no, not another one of these paranormal investigation films again.”. When this type of movie is done well, however, it can feature some of the creepiest imagery in all of the horror genre. This film is an example of getting it right. It’s the only short that gave me a nightmare in which the creepy old man standing next to the crib made an appearance. Super scary stuff.

6 out of 6 reels.

*ANGEL WATCHING OVER ME

directed by: Even Keel Productions

Kendra(Kendra Lodewyk) is being tucked into bed for the night by her mom(Kelly Fortier). Her grandmother has recently passed away and she confides to her mother that she can hear grandma calling to her every night. Every night at exactly midnight. 

Every element of this film was done fairly well. For me it borders on being a bit forgettable, but definitely deserves a watch for the likable characters and creepy villain at the end.

3 out of 6 reels.

*DETROIT EXPLOITATION ANIMATION BLOCK

directed by: Matthew MCR Ellison II

Disturbing animation and experimental music is abound in this collection of animated shorts. 

This feature is comprised mostly of short bursts of chaotic scenes with deformed creatures being ripped apart and jarring distorted sounds. While I wouldn’t say that these would be for everyone, I also see the creativity and imagination that is put into the final product.

3 out 6 reels.

*LA ROI DE LA MORT

directed by: Jeremy Borden

Madame (Diana Moore) is excited to find that her ancient artifact has arrived. The artifact is soon revealed despite warnings of danger from the attending archaeologist (Jose Bastidas). 

A very enjoyable watch. It executed the classic silent film elements perfectly and had an old school monster movie feel. The costumes felt period accurate which was also a very nice touch. I story was fairly basic but was performed well enough that it complemented the overall esthetic. 

4 out of 6 reels.

*I’M HERE

directed by: James Pinson

A husband (Azhar Ali) has stayed over at work to catch up on some “extracurricular activities”. When he starts receiving texts he begins to realize that maybe this tryst wasn’t such a good idea after all.

The atmosphere of a darkened office coupled with the growing realization that this man is up to no good creates a setting that is perfect for tense thrilling moments. As the time of his rendezvous draws near you can actually feel the heightened apprehension that leads to the realization that he may have made a grave mistake.

5 out of 6 reels.

*CUT

directed by: Jeremy Allen

In a scene reminiscent of “Saw” we see a woman (Valerie Gilbert) and a man (Ian Beckroege) wake up in an abandoned hallway. Bloodied and beaten they both struggle to figure out what has happened. They soon find out that they are in a situation that is more dangerous then they could have ever imagined. 

I enjoy films that are able to borrow an idea and breathe new life into it. The “group of people trapped in a room” idea has been done before but never quite like this. I’d also be remiss not to mention the acting of Tommie Grabiec. He was phenomenal in “Par-A-Site” but arguably even better in this.

6 out of 6 reels.

Hell’s Half Mile 2018 – Day 2 & 3

What’s up, Slicers!

Mark Kelly here and I’m back with more Reel Reviews from the 13th annual Hells Half Mile in Bay City, MI.

The films we are looking at today were screened during the 2 and 3 days of the festival. They are selections that I felt ranged from challenging and thought provoking– to extremely fun and thrilling. We’ll start off first with “First Reformed”.

Continue reading “Hell’s Half Mile 2018 – Day 2 & 3”

Expected NonSense – “Gerald’s Game”

Hey gang, Pete here again to give you my thoughts on the Netflix original Gerald’s Game.

Anyone who knows me is quite aware of my fondness for Stephen King and his works. He his hands down my favorite author. Love him or hate him, one cannot deny his impact on the horror genre both in the literary world and on the silver screen as being substantial. His stories about just any subject on Earth are descriptive, engaging and usually more than relevant.

So it stands to reason that Hollywood would want to capitalize on King’s success.  Many of his works have be translated to the big screen. From The Shining to Carrie to the many television miniseries including Salem’s Lot and the adaptation of my favorite novel of all time, The Stand, there are volumes of King’s works filmed for the unconstant reader. Continue reading “Expected NonSense – “Gerald’s Game””

Expected NonSense – Hereditary

Howdy gang. Once again, Pete Floyd here delivering the straight poop on yet another film that is generating buzz: Hereditary

In a sea of blockbuster sequels, comic book movies and reboots, this unconventional horror film is a throwback to the scary movies of yesteryear. I’m reminded of films like The Shining that work not with cheap scares or over the top effects to terrify you, but instead rely on psychological terror to get the heart beating.

The cinematography is top notch.

Continue reading “Expected NonSense – Hereditary”

DARKLING – Soundtrack Review

“Darkling the Soundtrack”, for the film “DARKLING” by Michael Welborn, is music that is as much psychologically thrilling as the film itself. The music compilation is a mixture of beautiful compositions with dark, eerie elements, making this an album to enjoy multiple times. “DARKLING” the film is a must watch, but “Darkling the Soundtrack” tells the story of the movie just as well.

The main reason this soundtrack works so well is that, despite a variety of musical genres, the tone of the album fits the film throughout.

An early track “Bassling” (by AVZTN), with its slow, calming guitar and bass line, hits this tone perfectly. Another standout track “Stewen” (by AVZTN) is interesting in that it almost encapsulates the feel of the whole movie in one song. The soothing opening leads to a repeating rhythm on the piano that gets almost frantic before melting away to an almost silent end of the last minute. Finally “Overdose” and “Darkening the Pianos” (both by AVZTN) are a great ending to the album. The chaotic sounds of Overdose leading to the calming sounds of Darkening the Piano felt like watching a curtain closing on a car crash. Continue reading “DARKLING – Soundtrack Review”

Darkling – Web Release

It’s official! The feature film, DARKLING, is releasing Christmas Day, 2017!
The feature-length psychological thriller by Michael Welborn is chalked full of dark themes and imagery.

Go To CINEMASLICE.COM/DARKLING to stream for free!

“It feels like we’re watching something we should not be seeing…” –Anonymous

After the murder of his best friend, Henry attempts to cope with the loss as he wanders through his own personal darkness.

Continue reading “Darkling – Web Release”