The films we are looking at today were screened during the 2 and 3 days of the festival. They are selections that I felt ranged from challenging and thought provoking– to extremely fun and thrilling. We’ll start off first with “First Reformed”.
Hey gang, Pete here again to give you my thoughts on the Netflix original Gerald’s Game.
Anyone who knows me is quite aware of my fondness for Stephen King and his works. He his hands down my favorite author. Love him or hate him, one cannot deny his impact on the horror genre both in the literary world and on the silver screen as being substantial. His stories about just any subject on Earth are descriptive, engaging and usually more than relevant.
So it stands to reason that Hollywood would want to capitalize on King’s success. Many of his works have be translated to the big screen. From The Shining to Carrie to the many television miniseries including Salem’s Lot and the adaptation of my favorite novel of all time, The Stand, there are volumes of King’s works filmed for the unconstant reader. Continue reading “Expected NonSense – “Gerald’s Game””→
Howdy gang. Once again, Pete Floyd here delivering the straight poop on yet another film that is generating buzz: Hereditary
In a sea of blockbuster sequels, comic book movies and reboots, this unconventional horror film is a throwback to the scary movies of yesteryear. I’m reminded of films like The Shining that work not with cheap scares or over the top effects to terrify you, but instead rely on psychological terror to get the heart beating.
“Darkling the Soundtrack”, for the film “DARKLING” by Michael Welborn, is music that is as much psychologically thrilling as the film itself. The music compilation is a mixture of beautiful compositions with dark, eerie elements, making this an album to enjoy multiple times. “DARKLING” the film is a must watch, but “Darkling the Soundtrack” tells the story of the movie just as well.
The main reason this soundtrack works so well is that, despite a variety of musical genres, the tone of the album fits the film throughout.
An early track “Bassling” (by AVZTN), with its slow, calming guitar and bass line, hits this tone perfectly. Another standout track “Stewen” (by AVZTN) is interesting in that it almost encapsulates the feel of the whole movie in one song. The soothing opening leads to a repeating rhythm on the piano that gets almost frantic before melting away to an almost silent end of the last minute. Finally “Overdose” and “Darkening the Pianos” (both by AVZTN) are a great ending to the album. The chaotic sounds of Overdose leading to the calming sounds of Darkening the Piano felt like watching a curtain closing on a car crash. Continue reading “DARKLING – Soundtrack Review”→