The first season of CinemaSlice.coms Indy Film Spotlight is in the books and we end this fantastic series of films with the wildly inventive action comedy “Tuesday Night Flamingo Fight”.
Written and directed by Josiah Wood, “Tuesday Night Flamingo Fight” begins with two young girls telling each other stories of prince and princesses in faraway lands. Well, at least one girl is telling a tale. When the other girl, who seems disinterested and extremely bored, gets a turn to tell her story we find out that she has very different interests then her friend. What we get next is a narrative that is equal parts entertaining, hilarious and disturbing.
At some point in everybody’s life we have all experienced an extreme case of the Monday’s. In the comedy film “Monday”, written and directed by Alejandro Montoya Marin, we find out that maybe our “extreme” Monday may not be the worst after all. “Monday” follows the exploits of Jim (Jamie H. Jung) a young man who is more interested in his hobbies (video games, Game of Thrones, smoking weed) than he is with his job or his girlfriend Alice (Bonnie Gayle). He wakes up one Monday and soon finds out that his lackadaisical attitude has gotten him fired from his job and his girlfriend to leave him. Just when he thinks things can’t get any worse, his Monday goes from bad to extraordinary terrible.
“Monday” takes the simple concept of having a bad day and turns it on its head. The mixture of everyday experiences that are relatable, with the over the top moments that a normal person would most likely never experience makes the story very intriguing for the viewer. You connect with the main character Jim in a way that, even though he has gotten himself into this situation by his own bad habits and actions, you feel for him and want to see him succeed in the end. I know that when I’ve had a bad day I sometimes think “How can this day get any worse?” and this movie answers that question in a extremely hilarious fashion.
Just another night playing poker with the boys. This is the setting for CinemaSlice.coms Indy Movie Spotlight film for August “The Poker Table Observations”, written and directed by Patrick Neff. In this comedy short we get to look in on the often hysterical insights and observations of a group of friends playing poker as they explore topics such as their personal lives, the opposite sex, and cliches that they find ridiculous in various movie genres.
I am a disappointment. Before you attempt to console me, please, just listen to my story.
I had it all planned out, see? I held my horses for the perfect opportunity. I had waited so long to finally see it, and I knew I needed my best mates Jade, Jeremy, and Tim there to enjoy the experience with me. I also needed drinks of course. You can’t forget the drinks when you’re screening an A+ Schlock bomb that would rewire our synapses after it blew our collective minds. This was going to be a great night. We were going to watch Rollergator. Hell. Yes.
Fast forward 83 minutes to me sitting there, in silence, embarrassed and ashamed as the credits rolled. Because that’s when I realized that I showed the wrong movie. What I meant to watch involved women in skimpy clothing turning into reptiles, and then killing other people to turn them into gay zombies! It had been Repligator I meant to watch! Bret McCormick’s erotic sci-fi romp from the same year. Not whatever the shit this was. I had never even actually heard of Rollergator, it had merely incepted its way into my mind like its name was Berenstein Bears. Press [F] to pay respects.
FORMAT DETAILS Short Dramedy DURATION: 19:28 LOCATION: Dayton,Ohio, United States COMPLETED: July 2018
Purity, the lead singer of the newly signed indy rock band O, wakes up to begin the last day of her bands independence. These are some of the opening moments of “Pure O”, a quirky comedic drama written and directed by W.M. Weikart and BlueBeard Productions. As we follow Purity (Stella Singer) through her daily routines we meet an eclectic cast of family and friends that have differing opinions about Purity’s hobbies, the decisions she makes in her life, and who she is as a person. We also begin to find out that Purity has hidden issues that she is struggling with internally, and that she may have to make some tough choices in dealing with these struggles that will change her life forever.
A beloved pastime of horror fans is talking about how many “Massacre” films there are. FromThe Texas Chain Saw Massacreto Alien Beach Party Massacre, and pretty much anything you can fathom in between (I’ve yet to see a Purple Weasel Massacre, but I’m sure it’s in production). So when I heard there was a film called Leaf Blower Massacre, I was as surprised as I was to find out Roman Reigns is facing Brock Lesnar at Summerslam for the Universal Championship. That is to say, not at all.
Leaf Blower Massacre is a 2013 short approximately 12 minutes in length. In it, we are introduced to a killer that is a dead ringer for the nail gun killer in Nail Gun Massacre, except instead of a high-velocity carpentry tool, the killer is wielding none other than the eponymous leaf blower. The fact that the weapon needs an outlet to work is a funny way to poke fun at the killer’s weapon trope. This short is all in good fun, even if it does seem to get confused about what it actually is, much in the way the WWE creative team is confused about the character of Roman Reigns. What would have been more compelling is if our 12 minutes of attention were met with a relentless onslaught of killing randos in clever ways with a leaf blower. But I’m projecting.
There has never really been a moment in my life that I didn’t at least live with a cat. When I was born, my parents already had a half-persian named Yo-Yo. I moved in with my cousins and they had Simba and Dinkers. Then there was Sabrina, Koko, Maxx, London, Cosmo, Eevee, Yuna, Bowser, and finally Bowie and Raimi. I think it’s safe to say I like cats. Still with me?
Dog people tend to be more extroverted and have more friends. Cat people are more likely to be introverts. I’m generalizing, and also pulling this 100% out of my ass, but it sounds good! So I’m definitely lacking in the friends department because of my affinity for cats, and not because I invite people over to watch a movie where a man dresses up as a cat, uses a litterbox, and wears a giant, barbed, cat cock dildo while he murders women.
For the month of July CinemaSlice has chosen to highlight the short sci-fi film “SAM” for the Indy Film Spotlight. Directed by Zac Deering, “SAM” follows a seemingly homeless wanderer, named Doc (Jarret Ross), as he scavengers the outer city for parts of an unknown project he seems to be working on. In an abandoned building he soon finds a stack of cardboard boxes where he discovers a powered down android (James Hudson). After getting the android back online we begin to learn more about Sam and find out he may be more than what he seems.
Zach Deering has been featured before in the Indy Film Spotlight with his film “Nano Addiction” and just like this previous film, “SAM” features the same stunning visual effects. It’s always a treat to see indie filmmakers take such care in making special effects believable with such a low budget. A lot of these films end up looking campy or cheesy, while “SAM” maintains its credibility throughout.
A Playboy playmate, a Penthouse pet, a man named mom…
This isn’t a riddle, it’s Doom Asylum! Welcome!
I hope you enjoy your stay. While you’re here, make sure to enjoy the whole host of cartoon characters. From yuppie alimony attorneys, to hungover coroners, to all chick noisewave bands (they play the local sewers!), Doom Asylum kicks you in the crotch, spits in your mouth, and then tickles you and takes your laughing as affirmation of enjoyment. Never mind the steady stream of sadness pooling at your feet.
Hey gang, Pete here again to give you my thoughts on the Netflix original Gerald’s Game.
Anyone who knows me is quite aware of my fondness for Stephen King and his works. He his hands down my favorite author. Love him or hate him, one cannot deny his impact on the horror genre both in the literary world and on the silver screen as being substantial. His stories about just any subject on Earth are descriptive, engaging and usually more than relevant.
So it stands to reason that Hollywood would want to capitalize on King’s success. Many of his works have be translated to the big screen. From The Shining to Carrie to the many television miniseries including Salem’s Lot and the adaptation of my favorite novel of all time, The Stand, there are volumes of King’s works filmed for the unconstant reader. Continue reading “Expected NonSense – “Gerald’s Game””→