What in the actual hell!? James Gunn is making a wicked super hero film, and I think I’ve fallen in love…
I want to be careful not to over-hype this film for myself too much… but what can I say? It’s the first film I’ve been really excited about in a LONG TIME!
Marvel fan-boys know James Gunn for his world on the insanely successful Hollywood blockbuster, Gaurdians of the Galaxy. Although these Marvel Cinematic Universe contributions are hilarious space-fueled romps and great popcorn movies, to me, James Gunn is held in high regard because of his earlier work. From his work with TROMA in the 90’s, to SLITHER in 2000’s, to THE BELKO EXPERIMENT in 2010’s — I’ve been a fan of his work before I ever realized it was the same filmmaker putting these schlocky, gorey, amazing cinematic experiences together for my twisted amusement!
Sidebar, Tomeo & Juliet (1996) both scarred me and opened my eyes to truly independent cinema as a 13-year old (wanna be) filmmaker. If you have never watched this film, go to TROMA NOW and stream this Tromasterpiece!
The official BRIGHTBURN website describes the film’s synopsis as follows:
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? With Brightburn, the visionary filmmaker of Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.
The fact that a writter who’s seen so much big-budget success can return to their roots and dabble in horror stories (as never before expressed on screen), is amazing! It reminds me of other filmmakers who have started in horror, and went on to make huge block-buster films (Sam Raimi, Peter Jackson, etc).
I’ll be a at the theatre on opening night for this one… do the same!
There has never really been a moment in my life that I didn’t at least live with a cat. When I was born, my parents already had a half-persian named Yo-Yo. I moved in with my cousins and they had Simba and Dinkers. Then there was Sabrina, Koko, Maxx, London, Cosmo, Eevee, Yuna, Bowser, and finally Bowie and Raimi. I think it’s safe to say I like cats. Still with me?
Dog people tend to be more extroverted and have more friends. Cat people are more likely to be introverts. I’m generalizing, and also pulling this 100% out of my ass, but it sounds good! So I’m definitely lacking in the friends department because of my affinity for cats, and not because I invite people over to watch a movie where a man dresses up as a cat, uses a litterbox, and wears a giant, barbed, cat cock dildo while he murders women.
CinemaSlice.com’s Indy Film Spotlight rolls on with the 3rd installment of the monthly cinematic series.
Next up is “Midland Street Wicked”, a horror film by Even Keel Productions and a movie that was also shot right in my neck of the woods, Bay City, MI. When people are found dead on Midland St. the local community starts to become concerned for their safety. In the area, a group of women get together to have some drinks and we find that one of them may have a connection to a mysterious pair of sunglasses that were lost years earlier.
A connection between the murders on Midland St., the strange sunglasses, and the female friends all lead up to a horrifying conclusion.
This was very entertaining and terrifyingshort film that showcased awesome gory special effects for a low budget movie. The pacing is good with a suspenseful intro that sets up the events nicely, which leads to a fun middle section that introduces us to the main characters in lighthearted way. This makes the back half of the story very effective when we start to see the horror and carnage that unfolds throughout the last 10 minutes of the film.
“Midland Street Wicked” is part of a series that centers around the pair of sunglasses that are described in the film. It can, however, be watched as a standalone experience although I could see the sunglasses being a bit confusing to first time viewers.
Hello, all! My name is ReelRat, or just simply “Rat”, and I’m thrilled to be the newest contributor to CINEMASLICE.
I will be your resident schlock and extreme horror expert, and I will provide your eyes with reviews of the sort you have likely never seen before in an all new column entitled “Schlock Du Jour!” I was asked to introduce myself to you all, so I asked myself, “What is the most ‘Rat’ way to do this?” And I came up with a solution…
See, last year I interviewed myself in some sorta self-servicing bullshit, with the hopes that it would fend off a midlife crisis as I turned 30. I figured I’d pry inward to find out if introspection was the best medicine. That interview went unpublished, but I have updated my answers and added a couple new questions so you may best get to know me. I offer that to you now in the hopes that you will accept me.
Rat on Rat:
To begin, let’s start at the end. By that I mean let’s talk about your sign-off. You end each review the same way. “Stay slime, and be rad at all times.” What exactly does that mean?
So, my sign-off is both a motto and an aesthetic. It’s basically like that famous line from Bill & Ted: “Be excellent to each other, and party on dudes!” It’s a beacon of positivity. Stay slime = stay cool. Radness goes beyond coolness in my definition as it encompasses much more, including an emphasis on kindness.
Why do you go by “Rat”
This actually goes back to the last question. Rat is a simplified version of the acronym for “rad at all times”. I’ve adopted that name within many circles as a reminder to be the embodiment of my motto. I want to make an impression, but also spread positivity. In addition, it’s a nice scummy, sleazy name. Across the internet you’ll find things authored by me under the names Rat, Reel Rat, Rat Ross, Elliot Ross, Elliot Ian Ross, and even Elliot “Reel Rat” Ross. I’ve been thinking of dropping the whole “Rat” moniker, but I don’t know yet.
Aww, but I like it! Your weekly column for The Basement on a Hill is “Schlock & Gore”, which you’ve been writing now for over 40 weeks. Could you tell us a bit about that?
45 weeks, actually! Schlock & Gore is my baby. When I was asked to write for The Basement, my mind immediately went to a review column. But with all of the review columns out there, why would anyone give one, let alone two shits about mine? The wheels spun a hair longer and I decided that I would lean hard into my niche specialty of weird, obscure, low-budget, and extreme films. I am thrilled to now be writing for CINEMASLICE as well. My column here will be called Schlock Du Jour!