6 individuals receive an elaborate puzzle cube that acts as an invitation to participate in an escape room challenge. The premise sounds simple. Find your way through a maze of different rooms. Solve an environmental puzzle to escape each locale and you will receive the grand prize: 10,000 dollars. The participants begin to arrive, although some are reluctant. What transpires next is a descent into madness as the contestants realize this game has higher stakes then what they previously envisioned.
Escape Room is a 2019 film directed by Adam Robitel. Although labeled by some as a horror movie, I would classify this into the thriller/mystery genre. It is similar to past films like Cube, Saw, and FinalDestination. In these films there are extreme situations, in which the main characters have to survive. Unlike these films, however, EscapeRoom leans farther away from the gory and torturous elements.
I enjoyed EscapeRoom for what it was, an extremely fun and thrilling experience. It offered interesting and varied locations with characters that you genuinely want to see succeed or fail. The story is engaging and easy to follow unlike more cerebral and thought provoking fare such as Hereditary and Suspiria(2018). Just be warned, set your expectations before watching. If you’re the type that enjoys a good dark stout beer and refuses to drink Miller Lite, this movie may not be for you. EscapeRoom is is definitely horror lite.
So, maybe you’re looking for a good introduction to horror for some of your friends who refuse to give the genre a shot. Maybe you are a parent that wants to upgrade your children from watching Goosebumps or TheHousewithaClockinitsWalls. Or maybe you just want to watch an exciting thriller without all the gore. If any of these scenarios apply then Escape Room is for you.
Mark Kelly here and I’m back with a Reel Review of Halloween(2018). Having enjoyed the Halloween franchise over the past 40 years I was beyond excited hearing about this new installment. Taking place directly after the events of Halloween(1978) this movie opts to forgo the lore built over the years. Although I have enjoyed the previous films it was nice to see some new life breathed into the franchise. So, without further ado, onto the Reel Review of Halloween(2018).
It’s been 40 years since the murder of 4 people occurred in Haddonfield, IL on Halloween. That night the serial killer Micheal Myers was apprehended and has been held in Smith’s Grove Sanitarium ever since. Even though Micheal is in captivity this has provided little comfort for Laurie Strode. That night two of her best friends were murdered. Over the years she has become increasingly paranoid and has developed Agoraphobia. Although this has affected her family and friends it has also made her prepared for if Micheal ever escapes again. Continue reading “Halloween(2018) Reel Review”→
Mark Kelly here– I wasn’t able to attend the festival in person, so I’ve decided to write mini REEL REVIEWS of each film featured at A SLICE OF FRIGHT FILM FESTIVAL.
On Saturday the 13th, at The State Theatre in Bay City, MI, CinemaSlice hosted the first ever, A Slice of Fright Film Festival. Dedicated to the mad and macabre side of storytelling, A Slice of Fright Film Festival consisted of films ranging from the truly disturbing to the darkly hilarious. So strap in because we are coming at you with mini Reel Reviews of all the selections that were shown at the Fest.
directed by: Arturo Uspango
A woman (Ashley Daniello) stands in front of her bathroom mirror fretting over her complexion. We soon find out the disturbing places she will go in order to fix her acne problem.
The films we are looking at today were screened during the 2 and 3 days of the festival. They are selections that I felt ranged from challenging and thought provoking– to extremely fun and thrilling. We’ll start off first with “First Reformed”.
A review for Lunch Meat is a review for us all. I’m sure my insights here will echo those of everysoul fortunate enough to have ridden the unshakable homegrown fiend of a ride that is Lunch Meat. Watching it seems to synchronize the viewer into some larger, undefined headcheese consciousness. And with a movie named after cold cuts, would you expect anything less than the completely strange?
The movie begins with a false sense of security. Entitled yuppie teens call eachother scab and fungus as they drive towards a cabin they’ll never reach. It all feels familiar. Someone likes someone and that person likes someone else. Someone forgot the lunch meat, and someone forgot the gas, so the jeep gets pushed to the nearest watering hole. The jeep finds a drink and the teens find a bite to eat. It’s evident that those aren’t any ordinary burgers and they grimace and chew. Grimace and chew. Continue reading “Schlock du Jour: Lunch Meat (1987)”→
We see a woman, who leads a simple life, going through her daily activities. We see that she lives by herself in a small apartment and also works at her job as a waitress at a local restaurant.
In “Coco”, a horror film written and directed by Neil Boultby, the viewer is lulled into a false sense of security as we see this woman (Natalia Kaverznikova) go through her day to day, only to find out everything isn’t as it seems. A dark past is slowly unveiled and we find out that an evil presence is following this woman, a presence that intends to destroy everything and everyone she comes into contact with.
A beloved pastime of horror fans is talking about how many “Massacre” films there are. FromThe Texas Chain Saw Massacreto Alien Beach Party Massacre, and pretty much anything you can fathom in between (I’ve yet to see a Purple Weasel Massacre, but I’m sure it’s in production). So when I heard there was a film called Leaf Blower Massacre, I was as surprised as I was to find out Roman Reigns is facing Brock Lesnar at Summerslam for the Universal Championship. That is to say, not at all.
Leaf Blower Massacre is a 2013 short approximately 12 minutes in length. In it, we are introduced to a killer that is a dead ringer for the nail gun killer in Nail Gun Massacre, except instead of a high-velocity carpentry tool, the killer is wielding none other than the eponymous leaf blower. The fact that the weapon needs an outlet to work is a funny way to poke fun at the killer’s weapon trope. This short is all in good fun, even if it does seem to get confused about what it actually is, much in the way the WWE creative team is confused about the character of Roman Reigns. What would have been more compelling is if our 12 minutes of attention were met with a relentless onslaught of killing randos in clever ways with a leaf blower. But I’m projecting.
CinemaSlice.com is proud to announce our third ever COMIC BOOK RELEASE!! This comic book is part of a short run of digital comic books based on our horror anthology series, A Slice of Fright (or in shorthand: SoF), and produced by Marvin Maddicks, Jr of Night Mistful Comics
This third installment is from the short film, Love Sick, written, shot, and directed by Nic White, starring Ian Squintz and Stephanie Fiest.
Marvin’s unique art-style lends itself to the bizarre story of Love Sick —
and we look forward to further collaborations to come!
Without further ado, we present to you, the CinemaSlice comic book: Love Sick!
There has never really been a moment in my life that I didn’t at least live with a cat. When I was born, my parents already had a half-persian named Yo-Yo. I moved in with my cousins and they had Simba and Dinkers. Then there was Sabrina, Koko, Maxx, London, Cosmo, Eevee, Yuna, Bowser, and finally Bowie and Raimi. I think it’s safe to say I like cats. Still with me?
Dog people tend to be more extroverted and have more friends. Cat people are more likely to be introverts. I’m generalizing, and also pulling this 100% out of my ass, but it sounds good! So I’m definitely lacking in the friends department because of my affinity for cats, and not because I invite people over to watch a movie where a man dresses up as a cat, uses a litterbox, and wears a giant, barbed, cat cock dildo while he murders women.