A serial killer lives by a very specific set of rules. When these rules are broken, mistakes are made. It is these mistakes that lead to the eventual capture of the perpetrator. However, one particular serial killer (Mike Neider) believes he has perfected what he thinks of as an art. His solution to the problem is simple. Follow the rules and never, under any circumstances, break them. But can you ever really trust the mind of a killer?
Rules To Kill is a short horror film, written and directed by Joshua Hartwell of EVOX Media. Due to the documentarian style, as well as the mannerisms and personality of the main character, Rules To Kill is an extremely cold and calculating movie. As a lover of the thriller/horror genre, and true crime in general, I enjoyed this film a lot.
It excelled in three areas. First, the script is outstanding. It puts you into the thought processes of a person that thinks they are in control, when in reality things are spiraling into madness. There’s also enough nuance in the writing that makes you invested to come back for multiple viewings. Secondly, I enjoyed the diverse soundtrack. It had a mix of songs that set the dire mood for the piece while also providing brief moments of levity. These moments were needed in a film with such strong feelings of dread. Lastly, the cinematography in the film was impressive. The tracking shots of the killer in action were creepy and visceral while the quiet shots of the landscape were quiet and serene. The quiet shots helped in providing time to process the dialogue of the killer and the chaos of his actions.
While I enjoyed this film I would be remiss without mentioning that this experience is not for everyone. It’s for a specific group of people. People who enjoy exploring the minds of people that commit crimes and the thought processes behind their actions. This film is extremely visceral.
Rules To Kill is an interesting look into the psychology of a serial killer. It’s a bit formulaic but through great writing, cinematography, and a killer soundtrack it provides a well crafted film. If you’re into true crime and horror/thrillers I suggest looking up Rules To Kill on YouTube and giving this a shot.
Mark Kelly here and I’m back with another Reel Review. I’ll be reviewing the crime documentary The Monster with 21 Faces (かい人21面相) , directed by MichaelWelborn. The film recently had its world premiere at CinemaSlice.coms A Slice of Fright film festival. The movie is part one of an in depth look at the real life incidents surrounding a wealthy Japanese businessman. It details the attack on his career, friends, and family by an unknown assailant calling himself the monster with 21 faces.
In Japan during the spring of 1984 president of Hashiba Homegoods, Sotara Hashiba(BruceFalcon), is taking a shower at his home one evening. Unbeknownst to him, 3 individuals dressed in dark clothes and white masks have broke into his residence. They have tied up his wife and daughter and are planning to kidnap Hashiba himself. What follows is a decent into mayhem and mystery. Hashiba struggles to protect everything and everyone he holds dear against multiple unknown attacks.
The films we are looking at today were screened during the 2 and 3 days of the festival. They are selections that I felt ranged from challenging and thought provoking– to extremely fun and thrilling. We’ll start off first with “First Reformed”.
In this episode, Justin talks to director Michael Welborn about his new film Darkling, being an independent filmmaker, and other random things that popped into Justin’s head (as he tends to do). Two track from the film’s composer, Austin Michael aka AVZTN, close out the episode. We hope you enjoy it, see you again in about 2 weeks! Continue reading “The SliceCast – Michael Welborn”→
Time to begin the Hell’s Half Mile with the opening film of the fest, a dramatic murder mystery that may be a good movie hidden amongst some glaring issues.
“The Scent of Rain and Lightning” tells the tale of Jody, a woman dealing with the death of her parents as a child. We soon find out that the man convicted of the crime, Billy, is being released from prison on a technicality. It’s then that things begin to unravel in the small rural community and secrets are revealed that may prove the wrong man was sent to prison.